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Consciousness, Literature and the Arts



Articles and Essays




Yvonne Adalian (1:3, December 2000)

The Art of Theatre: Magic or Illusion?


Alexey Aliev (10:2, August 2009)

The Intentional-Attributive Definition of Art


Serena Anderlini-D’Onofrio (3:1, April 2002)

Grammars of Touch: Physical, Spiritual, and Erotic Bodies in Massage Therapy


Peter Emeka Aniago (12:3, December 2011)

Cultural Signification of Gestures as Showmanship in Soro


Greg Andonian (2:1, April 2001)

The Three Caves of European Identity: From critical to Creative Thinking


Greg Andonian (4:1, April 2003)

The Symbolic Order of Architecture in the Information Age


Isabel M. Andrés (7:3, December 2006)

“O Let’s Keep Together!” The Blurring of Individual Consciousness in Virginia Woolf’s Between the Acts


Shelley Ashdown (13:1, April 2012)

“My Heart Passed Through My Mouth”: African Telling of a Most Afraid Experience


Stephan Atzert (6:3, December 2005)

Concepts of Liberation: Schopenhauer between Freud, the Buddha and Idealist Aesthetics


Violeta Avetisian (15:1, April 2014)

The Perception of Time and Space: Crossing the Spatiotemporal Boundaries in Vladimir Nabokov’s Mary and in Grigol Robakidze’s The Snake’s Skin


Nelya Babynets (16:3, December 2015)

Theatrical Corpses in The Spanish Tragedy: Props or Protagonists


James J. Balakier (7:3, December 2006)

Thomas Traherne's "Thoughts" Poems and the Four Levels of Speech in Vedic Poetics


Keneth Bamuturaki (17:3, December 2016)

Participatory Research in Theatre for Development: An Evaluative Paradigm of the Walukuba Project in Eastern Uganda


Keneth Bamuturaki (18:1, April 2017)

Communicating consciousness on disability issues in Uganda through Theatre for Development (TfD): A critique of the Ruharo Mission Hospital Experience


Daniel Barnett (15:1, April 2014)

Music, Language, Memory and Cinema: Three books on the cognition of music


Krishna Barua(7:3, December 2006)

The Androgyne : The  ambiguity of existence  in  Patrick White’s  The Solid Mandala and  The Twyborn Affair


Sheila Bauer-Gatsos (16:3, December)

Born to Sorrow: Empathic Workouts in Mrs. Henry Wood’s East Lynne


Alan Beck (1:2, July 2000)

Cognitive Mapping and Radio Drama


Gary Beck (17:1, April 2016)

Is the Poet Obsolete? The Role of the Artist in Society


Michael Betancourt (6:3, December 2005)

Paranoiac-criticism, Salvador Dalí, Archibald and Superposition in Interpreting Double Images


Efrat Biberman (6:1, April 2005)

The Self as Other


Walter Bilderback (4:3, December 2003)

The Naomi Wallace Festival and 9/11


R.J.Bird (6:1, April 2005)

Shakespeare as Mathematician : The Use of Iteration and Recursion in Much Ado About Nothing


Marcia Birken and Anne C. Coon (2:1, April 2001)

The Pedagogical and Epistemological Uses of Analogy in Poetry and Mathematics


Aondowase Boh (16:2, August 2015)

Theatre for Development and Political Consciousness among the Nigerian Electorate: Lessons from Tse-Agberagba Workshop


Lucy Bolton (8:3, December 2007)

The Woman who saw The Man Who Cried: A Study of Female Consciousness On Screen


Anna Bonshek (5:1, April 2004)

Reverie II—A Video Installation: Revelation, Consciousness and Peace


Thorsten Botz-Bornstein (8:2, August 2007)

From “Ethno-Dream” to Hollywood: Schnitzler’s Traumnovelle, Kubrick’s Eyes Wide Shut and the Problem of “Deterritorialisation”


Christine Boyko-Head (3:2, August 2002)

Mirroring the Split Subject: Jean Genet’s The Balcony


Per Brask (4:2, July 2003)

The Reflective Actor


Per K. Brask (7:2, August 2006)

ACTING AND ARCHETYPES : A point of departure


Peter Bray (10:1, April 2009)

“But I have that within that passes show”: Hamlet’s Soliloquies as an Expression of Shakespeare’s Loss and Transformation


Lara Braitstein (5:2, August 2004)

No Views is Good Views: A Comparative Study of Nagarjuna’s Sunyata and Derrida’s Différance


Troy Earl Camplin (7:2, August 2006)

Literature as a Game: Game-Play in Reading, Creating, and Understanding Literature


Howard Cannatella (1:1, April 2000)

Is Play Educationally Important in the Teaching of Art?


Bryan Carter, Joi Moore and Chris Amelung (1:3, December 2000)

Seeing is Believing: Advanced Visualization and the Use of Virtual Reality in an African American Literature Cours


Soubhik Chakraborty, Swarima Tewari and Gargi Akhoury (11:3, December 2010)

What do the fractals tell about a raga? A case study in raga Bhupali


Yuan-chin Chang (9:2, August 2008)

Constructed Identities, the Medical Gaze and Social Power Spaces in Margaret Edson’s Wit


L.Cignoni, L.Godding, G.Salvoni, G.Turrini (4:1, April 2003)

Peer-supported foreign language learning: a proposal


David Clarke (15:2, August 2014)

From neurotransmitters to aesthetic experience: Jay Schulkin's Reflections on the Musical Mind


Christophe Collard (13:1, April 2012)

Operationalizing Hybridity, Performing Analogies: Towards a Theoretical Argument


Natasha Conde (8:1, April 2007)



Anne C. Coon and Marcia Birken (4:1, April 2003)

Developing Analogical Thinking and Creativity in University Students


J.M. Corry (13:2, August 2012)

Religious Criticism in Miguel Mihura’s Ninette: Modas de París


Jennifer Marie Corry (17:1, April 2016)

Narcissistic Perceptions in Paloma Pedrero’s Resguardo personal


Emilie Crapoulet (8:3, December 2007)

Consciousness and the Imagination in the Music of the French Impressionists


Edwin Creely (8:2, August 2007)

Operating postmodernly—my intentional postmodern theatre


Edwin Creely (16:3, December 2015)

The third way. An alternative notion of god. An essay


Mitch Cunningham (13:1, April 2012)

The Ironic Uncanny, Uncanny Ironies and David Lynch


Jerri Daboo (8:3, December 2007)

The Altering I/Eye: Consciousness, ‘Self’, and the New Paradigm in Acting


Gil Dekel (9:1, April 2008)

“Waterised Words”: Exhibition exploring self-knowledge through art practice, as part of PhD research


Tal Dekel (8:3, December 2007)

Center–Periphery Relations: Women’s Art in Israel during the 1970s, The Case of Miriam Sharo


Florian Demont (9:2, August 2008)

The Expression of Self-consciousness in Kamla Das's “An Introduction”


Bani Dayal Dhir and V. Prem Lata (13:3, December 2012)

From Deadly Winter to Sprightly Spring: A Spiritual Odyssey


Jonathan Michael Dickstein (14:3, December 2013)

On the Transdisciplinarity of Freudian Sublimation


Mark A. Doherty (18:2, August 2017)

The Adverb Surfaces in Poetic Prose and Intimates Dramatic Dialogue


Darren Domsky (2:2, July 2001)

Dreaming with Descartes


Jane Duran (8:2, August 2007)

Nepal and South Asian Buddhist Art: Appropriation of a Symbolic Tradition


Jane Duran (9:3, December 2008)

Georges de la Tour and the Significance of Light


Jane Duran (11:1, April 2010)

Mohenjo-Daro: The Origins of a Tradition


Jane Duran (12:3, December 2011)

Mahabalipuram: Mythography and the Aesthetic


Jane Duran (14:2, August 2013)

Quetzalcoatl and Mythography: Water, Plume and Symbol


Jane Duran (15:3, December 2014)

The Architecture of Goa: India and the Colonial


Jane Duran (18:2, August 2017)

The Florentine Codex: Culture and the Mestizaje


Anna K. England (14:2, August 2013)

The Contemporary Public Camp Art in Poland


Vito Evola (6:2, August 2005)

A Hermeneutic Model of Sacred Literature and Everyday Revelation


Osita C. Ezenwanebe (7:1, April 2006)

Feminist Consciousness and Nigerian Theatre


Terry Fairchild (3:2, August 2002)

Oedipus Rex: The Sins of the Father


Terry Fairchild (5:3, December 2004)

Maharishi Vedic Science and Literary Theory


Terry Fairchild (10:1, April 2009)

Infinite Correlation in Pynchon's Crying of Lot 49


Attilio Favorini (7:1, April 2006)

The Remembered Present in Samuel Beckett and Gerald Edelman


Paul Fearne (10:2, August 2009)

Nijinsky: Ballet, Schizophrenic Consciousness and Philosophy


Franco Ferrarini (17:3, December 2016)

Cinema and the Unconscious Mind: from Psychoanalysis to Neurosciences


Catherine Fitzmaurice (1:1, April 2000)

Zeami Breathing


Shannon Foskett (8:3, December 2007)

Towards A Neuroaesthetics of Film: Eisenstein, Brakhage and Mantic Montage


Michael R. Fox (10:3, December 2009)

Walter Pater, His Child, and His Plato


John Freeman (2:2, July 2001)

Autobiographical Spectatorship


Vladimir Fomichov and Olga Fomichova (2:1, April 2001)

A Many-Staged, Humanities-Based Method of Realizing the Thought-Producing Self of the Child


Olga S. Fomichova and Nadezhda V. Sidorova (4:1, April 2003)

Recognition by the Child of a Transition Moment Fixed in a Picture


Sybille Fritsch-Oppermann (2:3, December 2001)

Particularities and Universals, Ethics and Aesthetics  How Art Can Lead to Spiritual Experience


Vivienne Glance (12:3, December 2011)

Theatre as ‘thinking space’: performing immortality in Staring at the Sun


Dimple Godiwala and William S Haney II (5:2, August 2004)

Editorial, Special Issue, Jacques Derrida's Indian Philosophical Subtext


Justin Good (5:3, December 2004)

Why photographs are not more realistic than paintings


Rui Coimbra Gonçalves (12:1, April 2011)

The triumph of individualism in a modern Wagnerian director’s conception to Rhinegold


Christie Gramm (18:2, August 2017)

The Integration of Imagination and Real Life in Lord Jim


José Luis Guijarro (6:3, December 2005)

IMAGINE : a likely way to find Art and Literature wherever they may hide


Li Guo (12:3, December 2011)

Making History Anew: Feminine Melodrama in Eileen Chang’s Love in a Fallen City (1943)


Malvika Gupta (16:3, December 2015)

Consciousness, intuition and sentience:  What is an author


Tamara Gurtueva (5:3, December 2004)

Man in the ontological space of the newest time


Fee Alexandra Haase (6:1, April 2005)

Opening A colorful Lexico: The Relation between Synesthesia and the Production of Metaphors. Or: "Is reading synesthetic?"


Fee-Alexandra Haase (9:2, August 2008)

‘Unity’ and ‘Diversity’ as Paradigms of Cultural Theory: Diachronic Studies of the Terminology of the Concept of Communication in European History


Clinton Hale (16:2, August 2015)

Umberto Eco’s The Mysterious Flame of Queen Loana


Annemarie Hamlin (3:2, August 2002)

Consciousness and Communication in Jewett’s The Country of the Pointed Firs


Anita Hammer (9:3, December 2008)

Imagination and Memory in the Theatrical Place: An inquiry into Bachelard’s notion of “Material Imagination” encountering the theatrical event


Anita Hammer (12:1, April 2011)

Psychotherapy as Spiritual Performance: an interview with Paul Bailey


Anita Hammer (15:2, August 2014)

Children's and young people's participation in Spiritual Funerary Ritual


William S. Haney II (5:1, April 2004)

Frankenstein: The Monster’s Constructedness and the Narrativity of Consciousness


William S. Haney II (5:2, August 2004)

Derrida’s Indian Literary Subtext


William S. Haney II (7:1, April 2006)

Biotechnology and What Makes Us Human: Beyond the Final Frontier


William S. Haney II (10:1, April 2009)

Philip K. Dick’s We Can Build You and Do Androids Dream of Electric Sheep?: The Effect of Limited Human Development


William S. Haney II (10:3, December 2009)

Consciousness and the Posthuman in Short Fiction


William S. Haney II (11:3, December 2010)

Eugène Ionesco’s Rhinoceros: Defiance vs. Conformism


Chris Hanley (7:2, August 2006)

Beyond Calculation: Politics and Aesthetics in George Orwell


Jennifer Hansen (3:3, December 2002)

Necessary Fictions: Memoir and Self-Making


Justin Harmon (10:2, August 2009)

What Is It Like to Be Mysterious, Alienated, and Wildly Rich through Less Than Savory Means? Phenomenal Consciousness and Aesthetic Experience


Dustin Hellberg (15:3, December 2014)

The Ghosts I Do Know: Rhythm, Dickinson, Crane


Dustin Hellberg (17:3, December 2016)

Dignity, Evolution & Literary Representation: Dignity as a Common Pool Resource


Ralf Hertel (8:1, April 2007)

The eye in the text: John Banville’s Frames (1989-1995)


Kensei Hiwaki (2:1, April 2001)

Thought-Frame Enhancement for the Age of Digitized Globalisation


Kensei Hiwaki (4:1, April 2003)

Innovative Education for Important Issues under Globalization


Patrick Colm Hogan (6:2, August 2005)

Editor's introduction to the Special Issue on Literary Universals


Patrick Colm Hogan (6:2, August 2005)

Literary Universals and their Cultural Traditions: The Case of Poetic Imagery


Peter Huk (5:2, August 2004)

Derrida, A Renunciant?  The Gift of the Bhagavad Gita in The Gift of Death


Christina Iluzada (10:3, December 2009)

"Whelm'd in Deeper Gulps": Bipolar Disorder and the Poetry of William Cowper


Wisam Kh. Abdul Jabbar (13:3, December 2012)

The Freudian Model of the Psyche in Two of Henry James’s Short Stories


Jude James (6:1, April 2005)

BEYOND CONVENTION: Border Crossing From The Social Body To The Porous Body: The Porous Body As Ontological Site - Interface For A-Located Realities


Gur Pyari Jandial (15:2, August 2014)

A Neurotheological Approach to Understanding James Joyce’s Concept of Epiphany and Related States of Wajad and Turiya with Some Reflections on the Radhasoami Faith 


Milan Jaros (4:2, July 2003)

Onto-Poetic Signatures of Mathematical Analogy in Arts and Literature


Ryan J. Johnson (12:2, August 2011)

Locating the Abject in the Third Critique


Mbachaga Desen Jonathan and Mabel Maha (13:1, April 2012)

Theatre, Religion and National Integration: A Study of Regina Ode's The Masquerade called Religion


Anwen Jones (1:3, December 2000)

The crisis of  French Symbolist drama


John Chris Jones (1:2, July 2000)

human mind, the real theatre?


Kelly Jones (8:3, December 2007)

Between Nature and Eternity: (Present)ing Absence in Theatrical Representations of Shakespeare as the Ghost of Hamlet


Richard Elfyn Jones (6:3, December 2005)

The Metaphysics of Art-Works and Process. An examination of  George Steiner’s Real Presences: Is There Anything In What We Say?


Renu Josan (13:2, August 2012)

Striking a Spiritual Chord: Mystical Reflections in the Poetry of Rumi and Kabir


Ron Kaiser (8:1, April 2007)

Pleasure and Pain: the Sublime in William Wordsworth and Giacomo Leopardi


Kalamandalam Radhika (1:1, April 2000)

Dance and God Realisation


Aroosa Kanwal (13:2, August 2012)

After 9/11: Trauma, Memory, Melancholia and National Consciousness


Geoffrey Kay (6:3, December 2005)

Transcendence and Throwing: The Experience of Making Pottery


Joe Keener (14:3, December 2013)

Othello: The Multi-Level Conflict of the Darwinian Psychomachia


Christopher Kelen (3:1, April 2002)

Consciousness and Poetry


Christopher Kelen and Carol Archer (5:1, April 2004)

Over the border, the everyday lapse


Khan Farhadiba (9:3, December 2008)

The Narrative Technique in Nabokov’s Pale Fire: An Analysis


Violetta Krawczyk- Wasilewska (4:3, December 2003)

Post September 11: Oral and Visual Folklore in Poland as  an Expression of the Global Fear


Christopher M. Kuipers (6:2, August 2005)

The Diachronic Canon: Two Possible Universals in the Evolution of Literary Anthologies


Navjotika Kumar (14:1, April 2013)

On the Materiality of Language in Jenny Holzer’s Work


Michael Larrass (1:1, April 2000)

The Evolution of Awareness Parallels and Contrasts in the Bhagavad Gita and Macbeth


Michael Larrass (3:3, December 2002)

The Town Musicians of Bremen 


Carl Lavery and Ralph Yarrow (5:1, April 2004)

Genet's Sacred Theatre: Practice and Politics


Suzanne LaLonde (16:1, April 2015)

The Construction of a Conscious Mind in Haruki Murakami’s “A Shinagawa Monkey”


David Layton (11:2, August 2010)

Male and Female Archetypes in Doctor Who


Lisa Lewis (1:3, December 2000)

Adnabod Nid Gwybod: The Ghost and the Cloud (Perspectives on Performance and Identity)


Kimberly Mosher Lockwood (8:2, August 2007)

Metaphor as Guided Experience:  Metaphors and Situation Models


Malte Chr. Lyneborg (9:1, April 2008)

Mindedness: The style-giving background condition for perception, understanding, interaction, and aesthetic experience


Andrew D Lyons (2:2, July 2001)

Synaesthesia: A Cognitive Model of Cross-Modal Association


Ashley Majzels (9:1, April 2008)

John Cage’s Chance’ and Richard Foreman’s ‘Consciousness’: Performing the Sublime


Peter Malekin and Ralph Yarrow (1:2, July 2000)

The Pashyanti Project


John Marmysz (2:3, December 2001)

Humor, Sublimity and Incongruity


Hudson Marques da Silva (15:3, December 2014)

The Study of Literary Fiction in Brazilian Technical Schooling: a possible way for consciousness


JonathanDesen  Mbachaga (15:3, December 2014)

Nigerian Drama and Women in Politics: The Example of Irene Salami's Sweet Revenge


John McClellan (10:3, December 2009)

The Theatre and Civilisation


Jade McCutcheon (2:2, July 2001)

Theatre - Re-assessing the Sacred in Actor Training


Jade Rosina McCutcheon (9:1, April 2008)

Post Human Interactivity on the Global Stage: The Culture of Simulation


Tamar Mebuke (12:2, August 2011)

Analyses of the Problem of Intertextuality


Burton Melnick (13:3, December 2012)

Writing as Fishing: Conceptual Metaphor and “Resonance” in a Story by Hemingway and a Poem by Wordsworth


Daniel Meyer-Dinkgräfe (4:2, July 2003)

Staging Consciousess: Updating Demastes


Daniel Meyer-Dinkgräfe (4:3, December 2003)

Consciousness, Theatre and Terrorism


Narges Montakhabi (12:2, August 2011)

Memory, Consciousness, Deleuze: The Case of Samuel Beckett’s “Whoroscope”


Evangelia Moula (11:2, August 2010)

The emergence of female consciousness in Bildungsromane from contemporary Greece- representative instances


Susan Mower (10:2, August 2009)

Etienne Decroux: A Corporeal Consciousness


Susan Mower (11:2, August 2010)

Peter Brook’s Mahabharata: An Intercultural Consciousness


Susan Mower (14:2, August 2013)

Raising up All that Fall: Samuel Beckett and the (Un)Holy Theatre of Phantoms


Dyutiman Mukhopadhyay (16:1, April 2015)

The Dual Phase Oscillation Hypothesis and the Neuropsychology of Docu-Fiction Film


Joseph Naimo (3:3, December 2002)

Space-Time-Event-Motion (STEM) – a better metaphor and a new concept!


Gunasekaran Narayanan (14:1, April 2013)

Stream of Consciousness Technique in Arthur Miller’s Death of a Salesman


Phil Ndlela (17:2, August 2016)

A Reading of Claudius’s “State of the Nation Address” and his Deployment of Repressive State Apparatuses in Hamlet


Barine Saana Ngaage (7:1, April 2006)

Political-economic Consciousness: Songs of Mosop and Fowa


Barine Saana Ngaage (11:1, April 2010)

Consciousness, Criminality and Responses to Kuru (tortoise) in Ogoni Tales


Barine Saana Ngaage (12:2, August 2011)

Economic Consciousness in Nigerian Tales


Laura Nutten (2:3, December 2001)

Madness and Signification in A Mouthful of Birds


Marc Ouellette (14:1, April 2013)

Nobody Here Does Anything For Nothing: Reciprocity and Gender in The Wings of the Dove


Quan Wang (12:1, April 2011)

Interpretative Strategies in “No Name Woman”


Daragh O’Reilly (1:3, December 2000)

Who’s Writing Whom? The Implications of a Plural Self for the Creative Writing Process


Leonard Orr (8:2, August 2007)

Transgression and Victim: Mnemic Traces in Conrad's Fiction


Anthony J. Palmer (5:1, April 2004)

Consciousness and Varying Musical Systems


Anthony J.  Palmer (10:1, April 2009)

Unconscious Apprehension of Metapatterns Expressed Consciously Through Musical Form


Lisa Pavlik-Malone (8:1, April 2007)

“Home IS Where the Cart IS”: Semantic Inflections of Self and Object


Lisa Pavlik-Malone (9:1, April 2008)

“They’re All of Them So Lovely”:  Semantic Effects of “Dollification” on Figurative Images of Women


Lisa Pavlik-Malone (11:1, April 2010)

Into the Eyes of the “I Clown“: A Metaphor for the Subconscious Imagination


David Pendery (7:3, December 2006)

Bringing Experience to Life and Life to Experience. Conscious Experience and Representation in Toni Morrison's Song of Solomon


Robert Pepperell (5:3, December 2004)

Towards a Self-Aware Art


Robert Pepperell (10:2, August 2009)

The Conscious Act of Looking at a Painting


Christopher Perricone (9:3, December 2008)

Shakespeare’s Procreation Sonnets: a Darwinian view


David Petersen (1:1, April 2000)

Creativity, Structure and Randomness


Deinya Phenix (17:1, April 2016)

Race consciousness, Diaspora, and Baianidade: Observations from an Epic Global Party


Jennifer Ewing Pierce (5:3, December 2004)

The Actor-Problem: Live and Filmed Performance and Classical Cognitivism


Frances Piper (7:2, August 2006)

Keeping Mum: Towards a ‘Voix Maternelle’ in Howard Barker’s Wounds to the Face


Paul Andrew Powell (6:3, December 2005)

The Second Coming as an Emergent property of Global Semiosis


Cormac Power (11:3, December 2010)

Making Nothing Out of Something: Concepts of Nothingness, Sartre, and the Theatre of Peter Brook


Teresa Prudente (11:2, August 2010)

“To write is always to rave a little”: the hallucinatory point of view in Elizabeth Bowen’s and Virginia Woolf’ s writing


Gordon Ramsay (4:2, July 2003)

Robotic Theatre In Extremis


Dian Duchin Reed (10:1, April 2009)

The Wisdom of Shakespeare’s Fools


Shahida Riaz (16:2, August 2015)

Manifestation of Global Characters’ Cognition amidst the Hostility of Religion, Politics and Terrorism: A Literary Analysis


Debra Ripley (10:2, August 2009)

Herman Melville’s Exploitation of Cognitive Features: Amasa Delano as Paradigm of Failure


Kenneth Robbins (4:3, December 2003)

The Healing Power of Butoh    


Jennie Rothenberg (3:1, April 2002)

Swallowing the Sky: Eugéne Ionesco and the Physiology of Happiness


Sébastien Ruffo (4:2, July 2003)

The Phonostylistics of the Dramatic Character


Jessica Runde (8:1, April 2007)

Ionesco beyond Absurdism


Nava Sevilla Sadeh (15:1, April 2014)

A Sublime Vision: Classical Concepts of Sublimation in Classical and Hellenistic Sculptural Goddess Images and Their Manifestation in Artworks by Two Contemporary Israeli Artists – Lea Avital and Ayala Serfaty


Nava Sevilla Sadeh (17:2, August 2016)

Panem et Circenses: The Metamorphosis of Greek Classical Concepts in 2nd-century CE Roman Sculpted Mythological Couples


Sara Dehghanzadeh Sahi (12:2, August 2011)

The Relationship between Selfhood and Otherness in Great Expectations: A Lacanian Reading


Aline de Mello Sanfelici (12:3, December 2011)

No Poem is Neutral: Activist Writing in the Poetry of Dionne Brand and Jeannette Armstrong


T.Sarada (13:1, April 2012)

Whose Religion is it Anyway? Decentering the White Male God in African American Women’s Theatre


Arup Jyoti Sarma (15:2, August 2014)

Art as an Expression of Personality: An Approach to Tagore’s Concept of Art


Alison Scott-Baumann and Christopher Norris (5:2, August 2004)

Derrida and Indian Thought: prospects for an East/West dialogue? (A conversation between Alison Scott-Baumann and Christopher Norris)


Barbara Sellers-Young (3:2, August 2002)

Breath, Perception, and Action:  The Body and Critical Thinking


Barbara Sellers-Young (9:1, April 2008)

Consciousness, Contemplation and the Academy


Simon Shaw-Miller (1:3, December 2000)

Skriabin and Obukhov: Mysterium  & La livre de vie The concept of artistic synthesis.


Simon Shaw-Miller (6:3, December 2005)

Andy and John Get Ordinary: Ontological Issues in the 1960’s Work of Warhol and Cage


Kiran Sikka  and Amrita Sharma (14:1, April 2013)

Reworking Metaphors in Poetry: A Case Study of Maharshi Ramana’s Poetry


Ioana Sion (7:1, April 2006)

The Shape of the Beckettian Self: Godot  and the Jungian Mandala


Priyanka Tripathi (17:3, December 2016)

Reinventing the Intimate Voices: A Close Reading of Indian Women’s Autobiography in English


John Vignaux Smyth (11:1, April 2010)

Zizek's Violence


Stefán Snævarr  (1:2, July 2000)

Ibsen, our Contemporary


Anthony Squiers (12:1, April 2011)

Bertolt Brecht and the Ethics of Praxis


Anthony Squiers (14:1, April 2013)

Narrative, Consciousness and Cognition in the Works of Bertolt Brecht


Smriti Srivastava and Varsha Jha (16:2, August 2015)

Religious, Non-Religious and the Changing Consciousness of the Ramlila


Justin Swink (13:1, April 2012)

Lily Briscoe/Lily Shakespeare: The Androgynous Mind in To the Lighthouse


Justin Swink (16:1, April 2015)

"Dreaming Awake": Reading Walden as Phantasy


Nicole Szendy (2:1, April 2001)

Art in Today's World


Nicole Szendy (4:1, April 2003)

Illusion and creativity, where does fascination come from ?


Gregory Frank Tague (2:2, July 2001)

The Peculiar Morality of the Artist


Leena Taneja (5:2, August 2004)

Tracing Difference: The Subtext of Derridean and Gaudiya Vaishnava Theology


Aldo Tassi (1:2, July 2000)

Performance as Metamorphosis


Grant Taylor and Nick Low (3:3, December 2002)

Phantoms in the Corridor: Portal Systems in the Digital Mind


Susan Thompson (4:3, December 2003)

The 1985 Artists' Brigades, Mexico City: An Account From the Streets


Dylan Trigg (5:1, April 2004)

From the Divine to the Dissolute: Schopenhauer and Death in Venice


Craig Turner (9:2, August 2008)

The Association Process in Stanislavski’s “Threshold of the Subconscious”


Jack Turner (5:1, April 2004)

Dream Journey: An Approach to Pym


Linda Turner (2:1, April 2001)

Using Artistic Expression to Overcome Computer Anxiety: A Productive Partnership


Linda Turner (4:1, April 2003)

Genealogy: A Bridge on the Road Between Philosophical Inquiry and the Offerings of the Computer Age


Tere Vadén (2:3, December 2001)

Dreamwork and the Subject   - A Surrealist Interpretation


Shilpa Venkatchalam (8:1, April 2007)

In Search of Definitions: Literature and Philosophy


Donald R. Wehrs (6:2, August 2005)

Somatic Marking, Ethical Sense, and Practical Reason: The Political Economy of Literary Universals from Richardson and Austen to Dostoyevsky and Grass 


William Weiss (1:1, April 2000)

The Ego and the Self in Actor Training


William Weiss (7:3, December 2006)

How do you apply “spirituality” in theatre training?


Charles Whitehead (11:3, December 2010)

Social Mirror Theory, the Arts, and the Evolution of Human Self-Consciousness


Charles Whitehead (12:1, April 2011)

Work versus Play: What recent brain research can tell us about play, theatre, and the arts, and why it is taking scientists such an unconscionably long time to realize their importance


Kimmika Williams-Witherspoon (18:1, April 2017)

Performance Poetry: Auto-Ethnography and Engagement As Social Activist Theater


Gerda van de Windt (6:3, December 2005)

Artistic Creativity: Sublime Expressions of Inner Body Wisdom


Michael Woods (8:3, December 2007)

Some Remarks on Musical Meanin


Frederick R. Worth (14:3, December 2013)

Poems That Open and Shut: The Accordion-Fold Poems of Blaise Cendrars and Octavio Paz


Zhu Yanyan and Wang Quan (8:3, December 2007)

A Lacanian Reading of Milkman


Quan Wang (16:1, April 2015)

The Influence of Chuang Tzu on Jacques Lacan’s Concept of Language


Michael A. Winkelman (17:2, August 2016)

“To Preserve This Vessel”: Jealousy, Evolutionary Biology, and Othello


Iris M. Yob (10:2, August 2009)

Response to Anthony Palmer, “Unconscious Apprehension of Metapatterns Expressed Consciously Through Musical Form”


Harry Youtt (4:3, December 2003)

Artists of Denial and Avoidance after September 11, 2001. (A Very Unorthodox View from the U.S.)


Ștefan Zaharia (18:2, August 2017)

Creativity in scriptwriting. Flow of consciousness